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How did you buy your ticket? View All Videos 1. View All Photos Movie Info. In the s, two kids search for the source of a mysterious frequency that has descended on their town.

Andrew Patterson. James Montague. May 31, GED Cinema. Sierra McCormick Fay Crocker. Jake Horowitz Everett. Gail Cronauer Mabel Blanche.

Bruce Davis Billy Voice. Cheyenne Barton Bertsie. Gregory Peyton Benny Wade. Mallorie Rodak Susan Oliver. Mollie Milligan Marjorie Seward.

Andrew Patterson Director. James Montague Screenwriter. Adam Dietrich Producer. Melissa Kirkendall Producer.

James Montague Producer. Marcus Ross Executive Producer. Erica Williams Executive Producer. Caleb Henry Executive Producer.

Littin-Menz Cinematographer. Erick Alexander Original Music. TV Premiere Dates New on Amazon Prime Video in May July 1, Full Review….

June 23, Rating: A Full Review…. June 6, Rating: 3. May 29, Full Review…. November 3, Full Review…. October 27, Full Review…. October 25, Rating: 3.

September 23, Rating: 4. September 10, Full Review…. View All Critic Reviews Aug 26, The paranoia of this time in the U. S is evoked wonderfully and Patterson manages to do so with a meagre budget and two brilliant central performances from newcomers Jake Horowitz and Sierra McCormick.

From the opening scene, it grips and only expertly builds on that momentum with some inventive directorial touches; dialogue heavy scenes are lingered on, while sweeping tracking shots give a grander overview of the small town and there's even fade to black moments that capture the wonder or the dangers of the night sky surrounding the characters.

This is hugely impressive filmmaking from a newcomer that plays out like a live action version of the now infamous and ill-fated Orson Welles radio broadcast of War of the Worlds that caused panic among its listeners.

Patterson keeps things very simple and doesn't rely on special effects, instead showing a confidence in his material and as much as this may irk some viewers just remember Mark W Super Reviewer.

Jun 27, Sanger have made an idiosyncratic splash with the micro budget yet winning sci-fi mystery, The Vast Of Night.

Set in s small town New Mexico, the film begins with a Twilight Zone-style introduction as we push in on an old fashioned television.

The main story, the film-within-the-film, centers around two teens who one night discover a strange signal at their respective jobs as a radio host and a switchboard operator.

Have aliens invaded or perhaps the Soviets? With the rest of the town at the local high school basketball game, can the two of them save humanity?

While admittedly, the story feels very slight, the charm lies in the telling. Patterson, along with his resourceful cinematographer, M.

Littin-Menz, go for long, sometimes swooping, sometimes static takes which allows us to immerse ourselves in this world. Cocky, immensely self-assured, Everett talks fast as he lopes from one interaction to the next.

He invites Fay Sierra McCormick , the aforementioned telephone operator, to tag along and show him a new tape recorder she's purchased.

Fay, although much more naive than Everett, possesses an inviting sense of wonder about the new technology. He goads her on to interview various people in their cars in a sweetly charming sequence.

What seems like a throwaway scene actually cuts to the heart of the film, which, to me, is about the joy one experiences when you discover a like-minded person who feels thrilled by anything new and unknown.

I could watch Everett and Fay banter all night, which is exactly what you get with this film. Because they're so delightful, it's easy to enjoy their discussions about future tech like cell phones, GPS, and self-driving cars, all of which would have felt too on-the-nose with lesser filmmakers and actors.

Horowitz and McCormick have wonderful chemistry and make a great impression so early in their careers. As the two go off to their night jobs, we stop with Fay for a stunning, long single take as she patches calls in until the fateful signal comes across her switchboard.

McCormick proves adept at holding our attention through what could have felt like a monotonous scene.

As she involves Everett in this mystery, the filmmakers go on a fantastic flight of fancy as the camera glides past Fay, whooshes through the town, makes a pit stop at the basketball game and ends up in the WOTW radio station as Everett involves himself in the story.

It's amazing what one can do on a tiny budget when you have such resourceful filmmakers. Eventually, we get another set piece involving a black man named Billy Bruce Davis who calls in to provide some information key to the origins of the strange signal.

Much of it is told with the screen blacked out, emphasizing the radio show feel of this story. As Billy very calmly tells his long tale, Everett and Fay listen intently, slowly realizing that black voices very rarely get heard in their world.

It's an important moment in the film as our heroes learn how secrets remain secrets when held by an oppressed minority who nobody would give the time of day.

Somewhere in this film lies a message about what little progress we've made since, but it does get overshadowed by the almost rom-com nature of our central relationship.

The film gets more intense from here on out, leading to another eerie encounter or two and a cathartic yet subtle ending. Like Picture Show, you learn every inch of this town and like the radio show, your imagination fills in the eerie blanks of a story told mainly in darkness or on the faces of our two leads.

Much of the s aimed to keep the population in fear. People feared the communists, nuclear war, and emerging social changes. Everett and Fay represent the hope of a future where what we fear is also what excites us the most.

This little film, with virtually no big special effects, filled me with a sense of wonder and awe. Glenn G Super Reviewer.

Jun 04, If you had told me that The Vast of Night was based upon a radio play or a narrative-driven podcast, something like the popular Welcome to Night Vale, I would have completely believed you.

This is a very dialogue-driven story where the movie seems to hit pause and allow a speaker unfettered time to tell their tale in patient monologue, like a sci-fi edition of This American Life I'm coming up with a lot of comparisons here.

It's a more high-concept, cerebral, imaginative-dependent science fiction. In s New Mexico, a small-town radio DJ and a teen switchboard operator, both with dreams of leaving the town for bigger things, discover a strange signal and eyewitness reports of something in the sky.

Over the course of one night, the characters investigate the signal and those who experienced it before.

The Vast of Night flies right out of the gate, long takes giving space for fast-paced dialogue exchanges.

The direction is very assured with long tracking shots to maintain the tightrope walk of a live theater performance that the screenplay imbues.

I was always interested in what was happening but I can see many other viewers failing to click with the material and its narrative restraints.

I do think the movie could use more of a resolution and errs by having the wrong combination of characters for a climax, denying the only real emotional catharsis that was offered by the screenplay.

I'm sure many will simply find this movie slow and boring it's only 89 minutes but even that might be pushing it for many. The Vast of Night feels like an extended Twilight Zone episode, for better or worse.

I applaud the ingenuity of the director and screenwriters on a small budget but I would not be surprised that bigger and better things lie ahead for each of these creatives.

Nate's Grade: B. Nate Z Super Reviewer. The Vast of Night is one of the best films of Watch Unlimited Movies.

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More Like About Last Night. Think Like a Man. For Colored Girls. Also directed by Steve Pink. Hot Tub Time Machine. Also starring Kevin Hart. Also starring Michael Ealy.

Sleeper Cell.

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